How depressing it would be if the typical Muslim in Britain today were embodied by Abdullah Patel?
Abdullah is the imam at a mosque in Gloucester; doesn’t speak English that well; has a burning sense of grievance about a thing he calls “Islamophobia”; is a fan of Jeremy Corbyn because he scares “Zionist’s” [sic]; thinks Gaza is “the modern day Auschwitz”; warns women who have been sexually assaulted that “it takes two to tango”; supports CAGE (the organisation which had a research director who once described the ISIS killer Jihadi John as “a beautiful young man”); is deputy headteacher of a heavily criticised school with an Islamic ethos and curriculum…
Call me old-fashioned but I don’t much like the cut of Abdullah’s jib. Chippy, whiny, cry-bullying, over-eager to play the Muslim card at every opportunity, sympathetic — at the very least — to terrorist sympathisers, casually misogynistic, antisemitic (though no doubt he’d gloss it with euphemism anti-Zionist), and probably thick as mince, Abdullah is emblematic of so much that is wrong with cultural cohesion in Britain today.
There was one clear winner of last night’s BBC leadership debate: Nigel Farage’s campaign to abolish the TV licence fee.
The BBC is a disgrace, an embarrassment, a monstrosity. Its politics are so relentlessly woke, its bias so shameless, its hatred of the values shared perhaps by the vast majority of its viewers so flagrant, that it is quite incapable of serving its claimed purpose as the nation’s source of fair and balanced information.
Any properly functioning democracy would have pulled the plug on such a malign and corrupting institution long ago. As it reminded us once again last night, the BBC exerts a powerful and pernicious effect on Britain’s body politic, exploiting its near-total domination of broadcast media first to dictate the terms of the political debate and second to push them in an ever-leftwards direction. (The Overton Window.)
It’s the BBC’s leftwards enlargement of the Overton Window we have to thank for the fact that we’ve got an antisemitic, terrorist-supporting Marxist on the brink of government; the reason that, for at least ten years now, is the Conservative government has not dared to do anything remotely conservative; the reason, largely, that people feel like strangers in their own country and no longer feel able to speak their minds.
That dog’s breakfast of a politics debate we endured last night was the very exemplar of all these failings.
Read the rest on Breitbart.
Plus: why a cultish New Zealand horror-comedy fly-on-the-wall mockumentary about vampire housemates is worth your time.
After its new costume drama You Go, Girl! (Sundays) about how amazing, empowered and better-than-men women are, especially if they are lesbians, the BBC ran its first ever Nike ad. At least that’s what I thought initially: rap music, moody shots of athletes, very high production values. Then I saw they were all grim-faced women and the word ‘RISE’ in flames and I thought: ‘Big new drama series? About girls who’ve been sucked into this very strict Christian cult, a bit like the Handmaid’s Tale, maybe?’ Then I noticed they were all wearing football kit and kicking balls around, and went back to my original Nike idea. Finally came the big reveal. It said: ‘#CHANGE THE GAME. FIFA WOMEN’S WORLD CUP 2019.’
I’m just having a quick whip-round to which I know many readers will be eager to contribute: it’s to raise money to help Olly Robbins begin a new life in Belgium.
Robbins, as you know, is the senior civil servant — Theresa May’s chief Brexit adviser — who has done so much to try to help ensure that Brexit doesn’t happen and that Britain remains stuck in the European Union till the end of time.
Now we know why: it turns out Robbins’s secret ambition is to live at the very heart of the EU project as a Belgian citizen.
We learn this from a BBC4 behind-the-scenes documentary about Brexit seen from the perspective of the EU’s negotiators.
The Global Warming Policy Foundation (GWPF) has made a formal complaint to the BBC about the series of gross inaccuracies in its recent documentary Climate Change: The Facts. As wags have quipped, the programme presented by Sir David Attenborough was so riddled with errors it really should have been called Climate: Change The Facts. Now the GWPF has written to the BBC Complaints department listing just a few of them. The letter can be read here.
According to the GPWF, the programme “went far beyond its remit to present the facts about climate change, instead broadcasting a highly politicised manifesto in favour of renewable energy and unjustified alarm.”
The Glaswegian faux-thug now makes his living not by pushing boundaries but by enforcing their limits.
‘I spend a lot of time helping teenagers who’ve been sexually abused…’ — beat — ‘…find their way out of my house.’
You’d scarcely imagine, listening to Frankie Boyle now, that this was the kind of joke he was telling on TV as recently as this decade. I wouldn’t believe it myself if I didn’t have written evidence of it, in the form of a 2011 TV review of his now-forgotten shocker of a Channel 4 show, Tramadol Nights.
The increasingly unwatchable and slavishly woke BBC plumbed new depths last night. It gave a prime time slot to a piece of environmental propaganda so blatant, shameless, and dishonest it might just as well have been a political broadcast on behalf of Extinction Rebellion.
Even the programme’s title was a lie.
Climate Change: The Facts was a farrago of alarmist cliches, exaggerations, and untruths which have been debunked on numerous occasions.
It lied about the cause of wildfires; it lied about heatwaves; it lied about storms and floods; it lied about polar melting; it lied about sea levels; it lied about coral reefs; it lied about droughts.
Plus: was Fleabag really profound and true? Or sententious, hormonal, millennial drivel?
If you liked Triumph of the Will, you’ll love this latest masterpiece of the genre: Our Planet. The Netflix nature series exploits the prestige, popularity and swansinging poignancy of Sir David Attenborough to promote an environmental message so relentlessly dishonest and alarmist it might have been scripted by the WWF.
‘Walruses committing suicide because of global warming.’ That was the nonsense from episode two repeated uncritically by all the newspapers, none of which seems to have been much interested in questioning the veracity of the claim. You’ll never guess what it was that really drove those walruses over the edge of the cliff… Ironically, the likely culprits were polar bears — that supposedly threatened species whose population has grown exponentially in the past 50 years to the point where they are now beginning to become something of a pest.